the opening passage of rhythm a ning features quizlet

The alto saxophonist heard in this excerpt is (00:30) Cannonball Adderley. John Coltrane signaled his interest in modal jazz by recording a 15-minute version of the following Broadway tune, reducing its harmony to a few chords over a pedal point: "Chasin' the Trane," John Coltrane's first foray into the avant-garde, makes relentless use of the following technique: John Coltrane's A Love Supreme is unusual in that it, is divided into four "movements" with abstract titles (e.g., "Acknowledgement"), With his 1965 album Ascension, John Coltrane made clear his adherence to, The style of music on Miles Davis's 1960s albums like E.S.P., which expressed a balance between the conventions of modern jazz and the free-wheeling jazz avant-garde, is known as. Cootie Williams (trumpet), Johnny Hodges (alto sax), and Barney Bigard (clarinet). Should I take portuguese or french next year. Circle each direct object. The temperance movement was linked to the of alcohol. She had a very limited vocal range, Singer known for her joyous, versatile voice: wide vocal range, dynamic contrast, timbre contrast. - irregular 9/8 metric grouping an abrupt two-note ending to a melodic line. What was the Harlem Renaissance, and what role did jazz play in it? Which of the following describes the interplay between Miles Davis and John Coltrane in Davis's first great quintet? - songs: Jelly Roll Blues, Dead Man Blues, "father of stride piano": considered the best of the stride pianists- others tried to emulate At the Newport Jazz Festival, Ellington went on late and played "Diminuendo and Crescendo in Blue." - intellectual style based on thick texture of contrapuntal inner voices Do you agree with Parker's evaluation of Hemingway's short stories? Which term best describes how Monk sounds on the piano? In the opening of this excerpt, the horns play an intricate melody over two twelve-bar choruses. Hard bop bands kept the mainstream jazz audience engaged by emphasizing. - series of albums (Cookin, Relaxin, Steamin, Workin) Al Haig used the riff for Opus Caprice., And Sonny Stitt used it for Symphony Hall Swing.. 25 terms. Was part of a vaudeville show and ended up stranded in Oklahoma City, where he joined the Blue Devils. You play the yin scale on F#7, the yang scale on B7, the yin scale on E7, the yang scale on A7, the yin scale on D7, the yang scale on G7, and so on, simply alternating back and forth. The intricate horn line at the beginning of this excerpt of "Boogie Stop Shuffle" reflects the influence of which style? - Kind of Blue (1959) set the standard for modal jazz In the Swing Era: extensive touring, including to Europe. One piece lasted more than an hour. Verified questions. Listen to his comping behind Charlie Rouse's tenor sax solo; no one . - Bebop's agitated, yet highly intellectual style Blues stanzas and an abrupt ending. In addition to Miles Davis, the album Kind of Blue featured all of the following players, except: For his late album, Ascension, John Coltrane, used a radical free improvisatory approach, pushing further into the avant-garde. Peter and (them, they) are practicing skateboard tricks. literature. What are the defining characteristics of the Kansas City big band style? Holiday uses repeated pitches on the first three notes, "A-sail-boat" for rhythmic affect to replace the corny ascending melody of the song. How did Duke Ellington change the sound of jazz in the big band era? influenced by ring shout dances and brass bands -Stride piano, 32-bar pop song AABA. third stream quartet: vibes, piano, bass, drums; very professional, hard bop drummer and bandleader known for his unique drumming style of dotted eighth and sixteenth note pattern that guided solos; also extended drumming techniques- high hat stand, used elbows, hard bop pianist who composed memorable, singable melodies and brief catchy phrases over long bebop lines with a proactive comping style that guided musicians through solos, hard bop trumpeter who played with the Max Roach Quartet; conveyed a relaxed feel even on the most intricate and energetic melodic figures; played long fluid lines moving gracefully through chord progressions, along with Kenny Clarke, was an innovator of bebop drumming- coordinated independence; also part of hard bop and avant garde ("Spirit Possession"), influential pianist, composer and bandleader with a uniquely understated, intellectual style What was unusual about Bill Evans's piano trio? Avant-garde (1965-7): "Ascension" (1965). Trombone and electric guitar Eddie Durham was an arranger. As a high schooler, Miles Davis sat alongside which bebop star when Billy Eckstine's orchestra visited St.Louis? Both Marsalis and Moran add on to the songs they are covering, expanding and exploring them. These passions also dominate her novels. Which of the following is true of John Coltrane's album Giant Steps? Features Carter's own alto sax solo. Thelonious Monk quartet, 1957/1962 Students also viewed. George Russell's work is unique in jazz for which of the following reasons? Next year I will take finearts\cancel{\text{fine arts}}finearts (Fine Arts) II, american\cancel{\text{american}}american (American) history, and advancedalgebra\cancel{\text{advanced algebra}}advancedalgebra (Advanced Algebra). Which of the following is an earlier stylistic change that met with critical backlash? To weed out inexperienced improvisers, jam sessions would often. Later: Jimmy Blanton=bass. Ellington on piano. Wrote many popular tunes that became standards of the jazz repertoire: "It Don't Mean a Thing" (1932). Cootie Williams, Lawrence Brown, Paul Gonsalves (tenor), Harry Carney (bari). What special quality do Horace Silver's compositions have? Boplicty, by the Miles Davis Nonet, (on Spotify or Youtube) begins with a long piano introduction. Intellect says that it should sound weird, but intuition says it makes perfect sense. Compare and contrast bebop and cool jazz. What bebop standard does the pianist reference with the three-note motive heard toward the end of this excerpt? _________ was the pianist and leader of the Modern Jazz Quartet. - fusion: Bitches Brew (1970)- controlled freedom, electronic effects on trumpet Jazz Styles. While his 1957 recordings with John Coltrane are deservedly famous, Monk's longest and most consistent musical partnership was with this tenor saxophonist: Duke Ellington's co-composer and author of "Take the 'A' Train", Duke Ellington's and his mother called him Bill, featuring "Blood Count" and "Lotus Blossom," was a tribute album to, Although Mingus made his reputation in New York City, he was raised and trained in, Mingus's "Fables of Faubus" was a protest sparked by, the integration of Central High School in Little Rock, Arkansas. With the help of the Also, the lower court "ordered the defendants to immediately equalize the facilities[but the children were] denied admission to the white schools during the equalization program." Identify and explain: Sherman Antitrust Act, Knights of Labor, Terence V. Powderly, Mary Harris Jones, Great Upheaval, Haymarket Riot, American Federation of Labor, Eugene V. Debs. They play block chords in soli. Could go as long as a half an hour. HARD BOP You can hear similar ideas in Blue Monk, Ba-lue Bolivar Ba-lues-are, Criss-Cross, Four In One, Epistrophy, In Walked Bud, Played Twice, Well You Neednt, and uncountably many of his improvised solos. - moved away from standard comping: fewer chord changes, metric displacement Most talented in the recording studio. It works to provide the poem with a pattern of beats, one that influences the way the reader hears the sounds and the speed at which they read them. A tribute to Thelonious Monk's Rhythm-A-Ning that takes the classic theme into new directions. wartime makes big bands less financially viable George Russell wrote "Concerto for Billy the Kid" to highlight the following soloist: Thelonious Monk's compositions usually featured which of the following form(s)? Draw one line under each indirect object. New emphasis on centrality of the groove. ( 0.27) (It is one of several clips from Schubert's The Erlking you will encounter.) As you might know, "Rhythm-a-Ning" is Monk's best known "Rhythm Changes" composition - the chord progression of which is based on George Gershwin's 1930 32-bar, AABA standard "I Got Rhythm", from which countless tunes have been derived and recorded by countless artists of countless genres. In the bridge (B phrase) of this AABA head the pianist plays two descending _______ scales. After Duke Ellington, who wrote between 1,500 and 2,000 pieces, Thelonious Monk is the most widely performed of jazz composers. playing like every extremity of the body is each doing its own thing but worked together (drummer Max Roach), a genre of jazz that aims for mainstream popularity and commercial success, Afro-Cuban jazz- an example of fusion with elements of Cuban music and American big band; founded on clave rhythms; expanded rhythm section (timbales, congas, bongos, maracas, claves, guiros), a technique devised in bebop in which the bass drum plays strong accents, phrases that avoid strong downbeats and stretch the meter (Bill Evans Trio), the joining of two types of music, especially the mixing of jazz and rock in the 1970s, carry on the traditional Big Bands of Count Basie, Duke Ellington, Woody Herman, etc, Stacking chords- crams in more chords (notes) at a really fast speed (John Coltrane), a composed section of music that frames a small-combo performance, appearing at the beginning and again at the end, a style of jazz devised in the 1950s that relied heavily on modal improvisation, an evolutionary viewpoint in jazz that says art is continually evolving from simplicity to complexity, two bar rhythmic phrase- repeated, driving rhythmic force in Latin jazz, modal jazz - Short melodic ideas subject to variation and development, pushed boundaries of hard bop and modal jazz, without venturing avant-garde: new harmonic frameworks/forms, greater freedom in rhythm section; Miles Davis Second Great Quintet- "ESP", omit the first note of chord (or just not have it at bottom)-- changes the sound of the chord and gives in tenison, associated with bebop; improvising by running eighth note lines, often with doubletime passages, a rapid-fire attack in an attempt to play every note in every chord (harmonic superimposition- John Coltrane-- "Giant Steps"), percussive style of playing electric bass that provided new possibilities as a solo voice, improvised vocal melody- like melodic paraphrase, influential as both an instrumentalist and singer, almost singlehandedly changed the sound of jazz. Music was a huge part of the cultural elevation as jazz was elevated from an entertainment to an art. Harmony: solidified blues scale/form as the harmonic foundation. a. the practice of taking liberties with the melodies and accompaniments of tunes as they were being performed. Of the tracks on the album, only "Giant Steps" became a jazz standard. Widely considered as one of the most important musicians in jazz - he is one of only five jazz musicians to be featured on the cover of Time - Monk had a unique improvisational style and made numerous contributions to the standard jazz repertoire . Brass plays background riffs. Four. Which of the following is true of hard bop? A pinnacle in jazz improvisation. Melody from Barney Bigard (clarinet, originally tenor). words. Im sure he listened to plenty of late Romantic and modern classical music and drew ideas from it, but I believe that the core of his harmonic concept comes straight from the blues. Started with two-beat rhythms and turned to four with the addition of bass. Davis did not show the arrangements to the other musicians until they arrived at the studio. Analyzing the musical structure of "Sledgehammer" by Peter Gabriel. Research the origins of the following words from the reading selection. Give an example of third-stream music and describe how it merges aspects of classical music and jazz. Typically toured constantly, didn't record, and were under constant financial pressure. They would leave the stage if the audience got too loud. 1 LWBK942-FM.qxd 6/25/11 8:45 AM Page x . Published by at June 22, 2022. - unusual rhythms/ delayed timing, metric displacement But this is only "sedate" by Monk standards. Pop standard by Irving Berlin. Many players in the band got tired and quit. Davis's sparing, poignant solos contrasted with Coltrane's virtuosity. introduction of the LP (long play): allowed bebop tunes to be longer, with lengthy solos- but less audience friendly, Psychology unit 3 learning and cognition chap, Byron Almen, Dorothy Payne, Stefan Kostka. How did members of the Modern Jazz Quartet ensure that their audiences would listen closely to their intricate interplay of instruments that characterized their performances? This paper is an analysis of Chick Corea's improvisation on the Thelonious Monk composition "Rhyth-a-ning," itself based on George Gershwin . Usually when Monk writes a melody that only obliquely relates to the underlying chords, it sounds conspicuously far out: think of Evidence or Criss-Cross. But Rhythm-a-Ning doesnt sound far out at all. After Duke Ellington, who of the following is the most performed of all jazz composers? Hot 5 and Hot 7 (1925-8): 65 tunes that redefined jazz: shift from collective to individual improv, from melodic paraphrase to harmonic improv, away from ragtime forms to blues and popular song form; "Heebie Jeebies" (1926), "Hotter than That" (1927), "West End Blues" (1928). M-Base= Macro-Basic Array of Structured Extemporization Instruments: Guitar, Choir, Piano Accompaniment. Uses the New Orleans front line of trumpet, trombone, and clarinet sound differently, with muted brass and low-register clarinet. POST BOP Orchestra is known to be a large instrumental ensemble usually made of classical music which I believe the best description of the performing ensemble in Dance of the Youths and Maidens from Part I of Stravinsky's The Rite of Spring.Considered Stravinsky's most sensational achievement, The Rite of Spring is a masterpiece that is clearly planned and perfectly controlled, yet leaps past . To make it sound bigger, Williams had one of the trumpeters play with the saxophone section, using a mute to help blend. When the chord changes to G7 in measure 19, Monk shifts the F-sharp at the end of the riff to F natural, implying the yang scale. 32-bar AABA.

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